Seen from
outside creation
earth and sky
aren't worth
a box of matches.

-- Fuse Yajiro

The Woman Who Loved Worms
(from a Japanese legend)

Disdaining butterflies
as frivolous,
she puttered with caterpillars,
and wore a coarse kimono,
crinkled and loose at the neck.

Refused to tweeze her brows
to crescents,
and scowled beneath dark bands
of caterpillar fur.

Even the stationery
on which she scrawled
unkempt calligraphy,
startled the jade-inlaid
indolent ladies,
whom she despised
like the butterflies
wafting kimono sleeves
through senseless poems
about moonsets and peonies;
popular rot of the times.

No, she loved worms,
blackening the moon of her nails
with mud and slugs,
root gnawing grubs,
and the wing case of beetles.

And crouched in the garden,
tugging at her unpinned hair,
weevils queuing across her bare
and unbound feet.

Swift as wasps, the years.
Midge, tick and maggot words
crowded her haikus
and lines on her skin turned her old,
thin as a spinster cricket.

Noon in the snow pavilion,
gulping heated sake
she recalled Lord Unamuro,
preposterous toad
squatting by the teatray,
proposing with conditions
a suitable marriage.

Ha! She stoned imaginary butterflies,
and pinching dirt,
crawled to death’s cocoon
dragging a moth to inspect
in the long afternoon.

-- Colette Inez

Golden Retrievals

Fetch? Balls and sticks capture my attention
seconds at a time. Catch? I don’t think so.
Bunny, tumbling leaf, a squirrel who’s—oh
joy—actually scared. Sniff the wind, then

I’m off again: muck, pond, ditch, residue
of any thrillingly dead thing. And you?
Either you’re sunk in the past, half our walk,
thinking of what you never can bring back,

or else you’re off in some fog concerning
—tomorrow, is that what you call it? My work:
to unsnare time’s warp (and woof!), retrieving,
my haze-headed friend, you. This shining bark,

a Zen master’s bronzy gong, calls you here,
entirely, now: bow-wow, bow-wow, bow-wow.

-- Mark Doty

Selected Haiku by Issa

Don’t worry, spiders,
I keep house
casually.


New Year’s Day—
everything is in blossom!
I feel about average.


The snow is melting
and the village is flooded
with children.


Goes out,
comes back—
the love life of a cat.


Mosquito at my ear—
does he think
I’m deaf?


Under the evening moon
the snail
is stripped to the waist.


Even with insects—
some can sing,
some can’t.


All the time I pray to Buddha
I keep on
killing mosquitoes.


Napped half the day;
no one
punished me!

-- Robert Hass

What's Wrong

"What you are struggling with," said
the psychologist, "is
a continuous song, something like
a telephone's tone. Nebulous, noncommittal,
unrelenting, pretending
to give you messages it can't deliver.

Because the body is unattached. It is,"
he said, "like a valentine sent
out cold, beautiful, brittle as tomorrow's
deja-vu, but distortedly misaddressed.
These pills will help you
find yourself
somewhere where the lace ends up loose
and the paste is still humming
all about you.

-- Landis Everson

see more dog and puppy pictures

Scrabble with Matthews

Jerboa on a triple: I was in for it,
my zither on a double looking feeble

as a "promising" first book. Oedipal & reckless,
my scheme would fail: keep him a couple drinks

ahead, & perhaps the muse would smile
upon me with some ses or some blanks.

January, Vermont: snowflakes teased the windows
of the Burlington airport bar. The waitress

tallied tips & channel-surfed above the amber
stutter of the snowplow's light: it couldn't

keep up, either. Visibility to zero, nothing taking off
& his dulcimer before me (50 bonus points

for "bingos") like a cautionary tale. The night
before I'd been his warm up act,

the audience of expensive preppies
doubling to twenty when he shambled

to the podium to give them Martial
& his then-new poems. "Why do you write

something nobody reads anymore?" queried one
little trust fund in a blazer. "Because

I'm willing to be honestly confused
& honestly fearful." Il miglior fabbro,

a.k.a. Prez: sweet & fitting honorifics he has left
upon the living's lips. Sweet & fitting too

that I could know the poems much better than
the man, flawed as I am told he was. Connoisseur

of word-root & amphibrach, of Coltrane
solo & of California reds, of box score & Horatian loss,

his garrulousness formidable & masking
a shyness I could never penetrate, meeting him

would always find me tongue-tied,
minding my ps & qs, the latter of which

I could not play, failing three times to draw a u.
The dead care nothing for our eulogies:

he wrote this many times & well.
& yet I pray his rumpled daimonion

shall guide our letters forward
as they wend the snow-white notebook leaves,

the stanzas scrolling down the laptop screens.
Game after game & the snow labored on.

Phalanx, bourboned whiteout & the board aglow
as he'd best me again & again. Qintar

& prosody, the runway lights enshrouded
& the wind, endquote, shook the panes.

-- David Wojahn

The Adventures of a Turtle

The turtle carries his house on his back. He is both the house and the person of that house.

But actually, under the shell is a little room where the true turtle, wearing long underwear, sits at a little table. At one end of the room a series of levers sticks out of slots in the floor, like the controls of a steam shovel. It is with these that the turtle controls the legs of his house.

Most of the time the turtle sits under the sloping ceiling of his turtle room reading catalogues at the little table where a candle burns. He leans on one elbow, and then the other. He crosses one leg, and then the other. Finally he yawns and buries his head in his arms and sleeps.

If he feels a child picking up his house he quickly douses the candle and runs to the control levers and activates the legs of his house and tries to escape.

If he cannot escape he retracts the legs and withdraws the so-called head and waits. He knows that children are careless, and that there will come a time when he will be free to move his house to some secluded place, where he will relight his candle, take out his catalogues and read until at last he yawns. Then he’ll bury his head in his arms and sleep....That is, until another child picks up his house....

-- Russell Edson

Alone with the Goddess

The young men ride their horses fast
on the wet sand of Parangtritis.
Back and forth, with the water sliding
up to them and away.
This is the sea where the goddess lives,
angry, her lover taken away.
Don’t wear red, don’t wear green here,
the people say. Do not swim in the sea.
Give her an offering.
I give a coconut to protect
the man I love. The water pushes it back.
I wade out and throw it farther.
“The goddess does not accept your gift,”
an old woman says.
I say perhaps she likes me
and we are playing a game.
The old woman is silent,
the horses wear blinders of cloth,
the young men exalt in their bodies,
not seeing right or left, pretending
to be brave. Sliding on and off
their beautiful horses
on the wet beach at Parangtritis.

-- Linda Gregg

(because I'm reading her book, Viper Rum right now and I loved this one)



Beauty and the Shoe Sluts

Mother kneels at her closet of dancing shoes
to see which ones I fit -- sherbet-green
taffeta and crimson crocodile, pumps

in Easter pink, plus a dozen black heels
with bows or aglisten with rhinestones,
all wicked run down. Likewise,

she's gnarled as a tree root, her spine's
warped her shorter than me, over whom
she once towered with red hair

brushed back into flame points.
Seeing her handle those scarred leather hides, I quote
the maenads' sad lament from The Bacchae.

After they've chased down
the fleeing god, fucked him dead, sucked
all flesh from his bones, dawn spills light

on their blood-sticky mouths,
and it's like every party you ever stayed
too late at. In chorus they sing and grieve:

"Will they come to me ever again,
the long, long dances?"
And Mother holding a black-patent ankle strap

like a shackle on a spike heel
it must've been teetering hell to wear glances
sidewise from her cloudy hazel eyes and says, "No,

praise God and menopause, they won't."

-- Mary Karr

Part for the Whole

When others run to windows or out of doors
To catch the sunset whole, he is content
With any segment anywhere he sits.

From segment, fragment, he can reconstruct
The whole, prefers to reconstruct the whole,
As if to say, I see more seeing less.

A window to the east will serve as well
As window to the west, for eastern sky
Echoes the western sky. And even less—

A patch of light that picture-glass happens
To catch from window-glass, fragment of fragment,
Flawed, distorted, dulled, nevertheless

Gives something unglassed nature cannot give:
The old obliquity of art, and proves
Part may be more than whole, least may be best.

-- Robert Francis

The Bat

By day the bat is cousin to the mouse.
He likes the attic of an ageing house.

His fingers make a hat about his head.
His pulse beat is so slow we think him dead.

He loops in crazy figures half the night
Among the trees that face the corner light.

But when he brushes up against a screen,
We are afraid of what our eyes have seen:

For something is amiss or out of place
When mice with wings can wear a human face.

-- Theodore Roethke

Another Story with a Burning Barn in It

I was on the porch pinching back the lobelia
like trimming a great blue head of hair.

We’d just planted the near field, the far one
the day before. I’d never seen it so clear,

so gusty, so overcast, so clear, so calm.
They say pearls must be worn or they lose their luster,

and that morning I happened to remember,
so I put them on for milking, finding some

sympathy, I guess, between the two.
Usually I don’t sit down until much later in the day.

The lobelia was curling in the sun. One by one
birds flew off, and that should have been a sign.

Trust is made and broken. I hardly sit down
at all. It was the time of year for luna moths,

but we hadn’t had any yet settling on the porch
or hovering above the garden I’d let the wild rose take.

-- Lisa Olstein

'Early to bed'

Early to bed and early to rise:
If that would make me wealthy and wise
I’d rise at daybreak, cold or hot,
And go back to bed at once. Why not?

-- Mary Mapes Dodge

Disappointments of the Apocalypse

Once warring factions agreed upon the date
and final form the apocalypse would take,
and whether dogs and cats and certain trees
deserved to sail, and if the dead would come or be left
a forwarding address, then opposing soldiers
met on ravaged plains to shake hands
and postulate the exact shade
of the astral self—some said lavender,
others gray. And physicists rocketed
copies of the decree to paradise
in case God had anything to say,
the silence that followed being taken
for consent, and so citizens
readied for celestial ascent.

Those who hated the idea stayed indoors
till the appointed day. When the moon
clicked over the sun like a black lens
over a white eye, they stepped out
onto porches and balconies to see
the human shapes twist and rise
through violet sky and hear trees uproot
with a sound like enormous zippers
unfastening. And when the last grassblades
filled the air, the lonely vigilants fell
in empty fields to press their bodies
hard into dirt, hugging their own outlines.

Then the creator peered down from his perch,
as the wind of departing souls tore the hair
of those remaining into wild coronas,
and he mourned for them as a father
for defiant children, and he knew that each
small skull held, if not some vision
of his garden, then its aroma of basil
and tangerine washed over by the rotting sea.
They alone sensed what he’d wanted
as he first stuck his shovel into clay
and flung the planets over his shoulder,
or used his thumbnail to cut smiles and frowns
on the first blank faces. Even as the saints
arrived to line before his throne singing
and a wisteria poked its lank blossoms
through the cloudbank at his feet,
he trained his gaze on the deflating globe
where the last spreadeagled Xs clung like insects,
then vanished in puffs of luminous smoke,

which traveled a long way to sting his nostrils,
the journey lasting more than ten lifetimes.
A mauve vine corkscrewed up from the deep
oblivion, carrying the singed fume
of things beautiful, noble, and wrong.

-- Mary Karr

The End

Not every man knows what he shall sing at the end,
Watching the pier as he ship sails away, or what it will seem like
When he’s held by the sea’s roar, motionless, there at the end,
Or what he shall hope for once it is clear that he’ll never go back.

When the time has passed to prune the rose or caress the cat,
When the sunset torching the lawn and the full moon icing it down
No longer appear, not every man knows what he’ll discover instead.
When the weight of the past leans against nothing, and the sky

Is no more than remembered light, and the stories of cirrus
And cumulus come to a close, and all the birds are suspended in flight,
Not every man knows what is waiting for him, or what he shall sing
When the ship he is on slips into darkness, there at the end.

-- Mark Strand